ABOUT:

I’ve always been a huge fan of the gear, the sound and the tunes. In fourth grade I first found the guitar, later the gear. Being an audiophile, studying and playing music have become lifelong pursuits.

Following these passions, my west coast career started at a historical ad district studio in San Francisco in the mid 90’s. There I mastered the art of studio voice recording and radio production.  I feel lucky to have experienced a time when regular in person sessions brought regional talent into local studios throughout each day and 1/4 tape was still the trusted delivery format.

Starting in late ‘99, I bamboozled may way into George Lucas’ legendary Skywalker Sound and suddenly found myself at the epicenter of it all! Amazingly talented artists using cutting edge gear, creating extraordinary soundtracks. From ADR gigs with Robin Williams, George Lucas, Ang Lee &  Ronnie James Dio to sound design and mix work with Genndy Tartakovsky, Ryan Coogler & Paul Thomas Anderson. Movies, TV animation, scoring stage gigs… I did a bit of it all.

In 2016, I moved to Dolby Laboratories to begin a deeper exploration in to my audio career and interests.  I was a member of a small content team responsible for showcasing the awesomeness that is Dolby Atmos. Leveraging the science of sound and the engineering behind it, I became an expert in the new world of immersive audio. I was an educator and artist who demonstrated the value and art of Dolby Atmos to the public with large scale exhibitions, to teachers at USC, audio students in Hong Kong and numerous high profile partners keen on adopting this cutting edge tech for their products. I worked one on one with high profile artists like Hank Shocklee, Perry Farrell.

Today I’m bringing all of that expertise to my own clients. I’m passionate and driven by the art and the story.  How immersive audio makes it all next level!